Monday, 19 November 2018

The Books of My Life: The Radical Right


In 1963 in an essay on the John Birch Society in the Daniel Bell edited collection The Radical Right: The New American Right Expanded and Updated (Garden City, NY: Anchor Doubleday, 1963), a revision and expansion of 1955s The New American Right (New York: Criterion), Alan Westin prophesies that this recent radical right group would be contained by business leaders, conservatives, and moderate and liberal figures in Republican Party. It is now 60 years later and the extreme right has not been contained like a domestic Soviet Union by business leaders, conservatives, or the Republican Party. Rather, the radical right has become, with the election of Donald Trump to the American presidency, at least in part, the mainstream of the post-1960s Republican Party.

So how did we get from there to here? I had avoided long reading The Radical Right given its post-1960s reputation. In the mid-and late 1960s The Radical Right fell into ideological disfavour in certain quarters within the social sciences and the humanities communities. Conflict theorists and social and cultural constructionists like myself found its championing of centrist democratic liberalism and its occasional stereotyping and caricaturing of the radical right (the Monkey Trial effect) as far too ideological raising questions about the validity of the analysis of the essays in this edited collection. Many obsessed with the working class and its supposed apocalyptic role in world history found its portrayal of populists as authoritarian and racist fascists and its linking of populists and the contemporary paranoid right problematic. Given the current political crisis in the US I decided, however, that it was time to take a look at the essays in The Radical Right.

I actually began reading The Radical Right in October of this year because I was interested in the answer to the question of how and why the radical or extremist right had been mainstreamed in American political culture. When I got to Westin’s essay on the John Birch Society, however, I discovered that pages 214 to 226 were missing in the print-on-demand copy of the book that I purchased from Amazon. Thanks to a used bookstore from whom I purchased a paperback copy of the book, however, I have been able to finally finish this edited collection and it gave me a lot to think about. The essays in the The Radical Right, most of them by some of the best and brightest centrist stars in the end of ideology firmament of the era such as Daniel Bell, Richard Hofstadter, Daniel Riesman, Nathan Glazer, and Talcott Parsons, offer a largely unified perspective. Most of the essays argue that in the wake of World War II the economic interest politics that had dominated the US since industrialisation was replaced by status politics. For many of The Radical Rights's essayists, economic, political, and cultural forces, and the Cold War, in particular, created psychic status anxiety in many Americans and the resulting status anxiety about the Cold War and socio-economic positions in post World War II gave rise to movements like the anti-Communist crusade of the late 1940s and 1950s and the John Birch Society, which was also anti-Communist, and, importantly, a shill for free market capitalism and the notion that big American governments were tyrannical take awayers of "liberty".

The essays in The Radical Right, and particularly the most systematic essay in the collection Seymour Matin Lipset's 1955 article on the extremist right, argue, for the most part, that the anxieties released by changes afoot in post-World War II America, particularly economic and political changes, were not primarilly directed outward against the Soviet Union but were largely directed inward against supposed traitorous fifth columnists within the United States. Characterised by manicheanism and a conspiracy theory mania, the radical right found enemies everywhere within the US, fifth columnists and "traitors", who were, they raged, undermining the American way of life (read: The White Anglo Saxon Protestant way of life and the White way of life), be these "traitors" Republicans like Ike, who some Birchers saw as doing the communist will of his Soviet masters, or liberals, by which they meant New Deal and particularly East Coast and elite educated progressives, or members of the Communist Party in the US.
 
If a lot of this sounds frighteningly familiar, it should. This radical manichean, conspiracy theory, apocalyptic, raging, fear mongering, ahistorical, scapegoating, and hysteric right is still with us today and how. What is different, as I noted earlier, is that in the wake of the so-called Reagan Revolution, the Republican Party, which was once a regional Northern political party with an ideology centred around free soil and free labour, has been Dixiefornicated. The Republican Party, in other words, has, thanks to a number of factors including the rise of the Sunbelt, the tendency of many and particularly many Whites who move to the Sunbelt to conform to Sunbelt conservatism, neoliberalism with its small government polemics and its taxes as tyrannical mantras, the increased acceptance of the belief that progressive liberals are dangerous fifth columnists akin to "commies" before them, the revolt against the federal government control of large pockets of land in the American West, the movement of White evangelicals from the Dixiecrat Party to the Republican Party and their re-emergence into American politcal culture, and the kindler and gentler discourse the radical right used and uses, a rhetoric that wasn't overtly racist and anti-Semitic, morphed into the Dixiecrats and, as a result, the radical right has gone mainstream.

The Radical Right was an interesting read particularly in the context of the takeover of one of the US’s major political parties by the contemporary radical right between the 1960s and Trump. It raises a lot of interesting questions and issues worth pondering given the mainstreaming of the radical right. In particular I found Westin’s essay on the early history of the Birchers fascinating, Hyman's comparative analysis of the US and Britain interesting, Lipset's 1955 essay well argued, and Peter Vierick’s two essays on a conservatism that is flexible to the dynamics of history, interesting and intriguing. There were some things I disagreed with in the book. I don't think there has been a decline in White supremacist and anti-Semitic sentiments in the US. Rather I suspect that these have been submerged into a kindler and gentler discourse which those in the know could easily and readily decode. I appreciated The Radical Right's emphasis on social factors (class fractions, new business interests, education, region, political party) and social psychological factors (the authoritarian personality and the social construction of fear and anxiety) but would argue that these have been unfortunately emphasised at the expense of cultural explanations (many of the essays do touch on religion and, if too briefly, on ideology) for the rise of the extreme right in the US. I did not find the books occasional emphasis on a national character grounded in a national psychology particularly compelling. Still I highly recommend this collection particularly to anyone interested in American politics and the American political and ideological right.


Saturday, 10 November 2018

The Books of My Life: Film Performance

In Film Performance: From Achievement to Appreciation (London: Wallflower, 2005) St. Anne's College, Oxford, film scholar Andrew Klevan explores film performance in relationship to position and perspective--the film performers relationship to the camera and their position within the shot-- location--the relationship of film performers to décor, furnishings, and objects within the screen frame--and plot--the relationship between film performer and the narrative development of a film--by analysing ten films from the "golden age of Hollywood".

To be honest, I am not sure what to make of this brief monograph. On the one hand it is a well written close analysis of sequences from ten golden era Hollywood films that yields interesting and sometimes insightful, if perhaps overinterpreted and not entirely compelling interpretations of film performances and film meanings. On the other hand, since the analysis is grounded solely in textual analysis (crystal ball textualism) and doesn't make use of archival materials, interviews with Hollywood performers and other craftspeople, including the producers and directors who made the films, it remains speculative, and ultimately can be seen as an example of one person's--one person embedded within academic and broader economic, political, cultural, demographic, and geographic contexts-- response to what the sequences within ten films under the glare of the academic gaze, mean.

Saturday, 3 November 2018

The Books of My Life: The Star System

The Star System: Hollywood's Production of Popular Identities (London: Wallflower, 2000) by Paul McDonald is the best short synthesis I have seen on the economics and symbolic economy of the Hollywood studio system and the Hollywood star system from its beginnings in the early 1900s, to its zenith in 1930s and 1940s, and finally to its transformation in the 1960s and 1970s. McDonald does an excellent job of introducing readers to the workings of the Hollywood studio system and its transformation in the wake of the US government's anti-trust suit against the Hollywood studios forcing them to divest of exhibition arms and practises in the United States in the post-World War II period. He also does an excellent job of exploring Hollywood's stars as forms of labour and capital in the vertically integrated Hollywood of the 1930s and 1940s, as forms of labour and capital in the horizontally integrated world of corporate Hollywood in the wake of its divestment of its theatre chains, and as images and brands, forms of symbolic capital, in both eras.

I highly recommend McDonald's book to anyone interested in the economy and symbolic economy of Hollywood and in the Hollywood star system. I do have a few minor quibbles. There is no bibliographic entry for Janet Staiger or Richard Dyer though McDonald references the work of both on several occasions. The Staiger references have been subsumed under Judith Stacey while the Dyer reference is under Paul McDonald. Still, a great book.