I have a confession to make. I am an addict. I am a book addict.
I, Ron, eek!
Where I, Ron, blog on a variety of different subjects--social theoretical, historical, cultural, political, social ethical, the media, and so on (I got the Max Weber, the Mark Twain, and the Stephen Leacock in me)--in a sometimes Niebuhrian or ironic way all with an attitude. Enjoy. Disagree. Be very afraid particularly if you have a socially and culturally constructed irrational fear of anything over 140 characters.
Wednesday 9 October 2024
The Problems of Book Addiction
Saturday 5 October 2024
A Critical Ethnography of Social Media: Rubbish In, Rubbish Out
You always know what you are going to find on social media. You know that you are going to find a lot of lowest common denominator nonsense about the usual suspects, for example, films, television, women (some scantily clad for the “adolescent” male gaze), politics, sports (including fabrications related to Caitlin Clark), banal and mundane sensationalist and melodramatic clickbait for fun and profit, and music. You never know, however, how low the rubbish you find on social media will go. I was reminded of this fact yet again while I was looking at books by Warren I. Cohen on Amazon, one of the lowest of lowest common denominator social media sites on the world wide web given its poor search engine, its limited and I suspect mostly bot curation of its comments page, a curation that looks for certain hot button words and phrases, and the limitations it places on actual scholarly reviews. Amazon seems to prefer “reactions” that are reflective of the widespread reality of attention deficit disorder in postmodern America and large parts of the core nation world.
I am familiar with Cohen, a specialist on American foreign policy retired from the University of Maryland Baltimore County and author of introductory books on American foreign policy, including his excellent and aptly titled A Nation Like All Others: A Brief History of American Foreign Relations published by Columbia, his introductory work on US and USSR relations published by Cambridge University Press in its four volume history of American foreign relations series, America in the Age of Soviet Power, 1945-1991, and studies of Asian-American foreign relations, which is why I went to Amazon to see what other books he had written.
What I also found and found as interesting as the other books Cohen had written, were the comments on his book America in the Age of Soviet Power, 1945-1991. Two of the four comments—the fact that there were only four tells you a lot about the contemporary core nation world—on the book were favourable. The other two comments, however, were negative. Of course, you are going to invariably find negative comments on almost any critical history and analysis of American foreign policy because you are inevitably going to step on the toes and draw the ire of the many faithful churchgoers of the Church of America who believe in the dogma of American exceptionalism.
One of these negative comments, that by Josh, was more “substantive” than the other, that by Sol D. Josh’s “reaction" to the book—I hesitate to call it a review since it really isn’t a review as is the case with most posts on scholarly books on Amazon—whinged about what he believed was Cohen’s New Dealism and his supposed belief that the New Deal was the best of all possible American worlds. He complains that Cohen interprets American post-WWII militarisation and the rise of its national security state as something other than a response to Soviet imperialism. He whines about Cohen's book being too much of an introductory text, something the book, in fact, is.
Sol D’s “substance” is also a statement of faith. Sol D’s faith is more clearly than that of Josh that hybrid mix of Christianity and America that has long been prominent in American culture and American life. He spends his reaction whining about Cambridge histories being the product of apologists and polemicists for “butt kissing atheist-Marxist tyrannical dictatorship”, a dictatorship, he claims, killed 200 million of its own citizens (today, of course, any self respecting empiricist would have to number many of the corporate and entrepreneurial elite, particularly in places like the Silicon Valley and Austin, amongst the tyrannical dictatorship of the mediocretariat). He ends his diatribe by stressing his devotion to his lord and saviour Jesus Christ.
Both of these comments reveal, as I noted, a faith in America, a faith some theologians would argue is a form of heresy and blasphemy. The faith of both is ultimately grounded in metaphysical and metaphysical manichean presuppositions that some humans are good guys, generally the group, clique, community, state, or nation, in this case the United States of America, that one belongs to, and that other humans are bad guys, that other whoever the goods mark themselves off against, the USSR in most of the mid-to late twentieth century, and, after the fall of the USSR, those liberals and “New Dealers” who are seen as “commies” and, paradoxically, fascists, by many and are categorised as “commies” and fascists by demagogues looking for leverage to gain political, economic, and cultural power. They are grounded, in other words, in the notion that some humans are good and some humans, them, are evil. They are grounded in the dehuhamisation of these others.
And this last—dehumanising the other—is one of the fundamental problems with these manichean politically and ideologically correct ways of seeing. Contrary to such manichean faiths humans, to varying degrees, are characterised by their better angels and their less better angels Humans, real humans, be they Hitler, Stalin, those who ordered bombs dropped on civilian targets in the name of victory, or true believers in monotheistic religious inquisitions, are, as history shows, complex and contradictory. They are neither inhuman incarnations of pure evil or cliched and stereotyped incarnations of pure goodness. Those who see the world in such manichean hues, of course, can’t admit the fact that humans, particularly those humans in positions of power (the power corrupts prover ), are the same every where and at every time for if they did they would have to admit that Cohen and other empirically grounded analysts like him are right and that both American and Soviet powers that be are neither evil incarnate of good incarnate and that humans can and do make mistakes and, of course, they can be socialised for moronic ethnocentric conformity. Cognitive dissonance, as it often does, however, in these cases, often ends up making the faith of true believers even stronger than it was despite empirical facts to the contrary because in so many cases fiction, created reality, trumps, as it does with Trump and his ilk, real reality.
Tuesday 1 October 2024
The Books of My Life: The Power and Passion of M. Carey Thomas
Historian Helen Lefkowitz Horowitz’s biography of M. Carey Thomas, The Power and Passion of M. Carey Thomas (New York: Knopf, 1994), gives us a flesh and bones portrait of a significant figure in American and Western intellectual and particularly American higher education history. Thomas, who was amongst the first Americans who undertook their graduate education in Germany and German Switzerland, was, to use a probably overused metaphor, the mother of Bryn Mawr College, the ostensibly Quaker women’s college located in Bryn Mawr, Pennsylvania near Philadelphia. The scion of a Gurneyite Quaker family, Thomas was Bryn Mawr's second president.
Thomas was not only the president of what became one of the elite women’s colleges in the US—one of the now mythical seven sisters—but was also, as Horowitz reminds us, an important figure in the history of American education, in American higher education, in American higher education for women, in late nineteenth and early twentieth century suffrage and feminist movements, in philanthropic movements, and in the intellectual life of the era in general.
Horowitz’s biography does what all good biographies should do: It puts Thomas’s life in broader economic, political, cultural, demographic, and geographic contexts. Horowitz does a nice job of exploring Thomas’s 19th century Anglo-Saxonism with its ethnocentrism and Social Darwinism. She does a fine job of exploring Thomas’s seeking after power side. And she does an excellent job of exploring Thomas’s romantic—she was devoted to romantic artists like Dante Gabriel Rossetti and Algernon Charles Swinburne—and her romantic cultural criticism side, Thomas's passionate side, Thomas's Anne Shirley side, if you will. Horowitz also gives us a lot of information—I would call it gossip—about Thomas’s “smashes", the trials and tribulations of those “smashes", Thomas’s upstairs manor house mentality, Thomas's devotion to wealth and what it could bring, Thomas’s more Machiavellian and scheming side. This last side of Thomas, by the way, seems essential for someone embedded in higher levels of corporate bureaucracies like America's colleges and universities who has ambitions beyond being a cipher of the real powers that be, many of them businessmen (or conservative Quaker businessmen and “local leaders” in Bryn Mawr’s case for most of Thomas’s reign), in America’s educational bureaucracies who serve on the boards of directors of America's colleges and universities.
While I liked Horowitz’s contextualisations I found her polemical argument that by formulating a more egalitarian feminism that called for equal opportunities for women Thomas stood outside of her time to some extent and thus that we can condemn her, from a late 20th century vantage point, for her late 19th and early 20th century ethnocentrisms (moral presentism?), problematic. Thomas's egalitarian feminism, after all, as Horowitz notes several times in the book, was ultimately, grounded in Anglo Saxon Social Darwinism, something she took initially from Herbert Spencer, making it and her very much the product of its and her time. Nor did I find Horowitz’s attempt to argue that Thomas’s anti-Semitism was a projection of her own conscious or unconscious attitudes about herself particularly compelling. Ethnocentrisms of all varieties, in my experience, are generally tied to conceptions of usness and themness or otherness, with the other often demonised, a phenomenon that is less psychological projection and more a social and cultural construction of identity and communituy that is embodied, thanks to primary and secondary socialisation throughout one's life cycle.
As someone interested in the history of higher education and British settler society religion I enjoyed Horowitz’s biography of Thomas. She and her siblings and cousins, many of whom moved in the lofty circles of the North American and European intellectual culture of the era, represent, at least to me, someone who has had a long interest in the history of Anglo-American Quakerism and the increasing secularisation of Gurneyite Quakerism particularly on the east coast of the United States. More broadly, Horowitz’s The Power and Passion of M. Carey Thomas restores Thomas to the important position in American intellectual history and the history of American higher education she held and holds, something that should not be but far too often was forgotten.
Wednesday 25 September 2024
A Critical Ethnography of Social Media: In the Kingdom of Dumb, Dumber, Dumbest?...
I should know by now that every time humans seem to take one step forward in the development of “new" communications technologies and technologies in general that there is, for the most part, no corresponding step forward in the use of those technologies by the masses. In fact, it often seems instead that most humans take several steps backwards when technological change occurs. I was reminded of this indisputable fact yet again today.
Friday 20 September 2024
Life as Crisis Management: Going to the Grocery Store
Tuesday 10 September 2024
Musings on Writing a Book and Publishing a Book: Another Chapter in Life as Crisis Management
Thursday 5 September 2024
A Critical Ethnography of Social Media: The Musical “Expert” on Social Media
Over the years I have noticed that there are what I would call several subspecies or subgenres of reaction videos on the social media giant YouTube. One of the subspecies of music “reaction" videos offered for “sale”on Patreon and YouTube are those by “experts" in vocal performance and music performance. The Charismatic Voice (Elizabeth Zharoff), Beth Roars, Maggie Renee, Aaliyah Capili, the Fairy Voice Mother (Lolli), and the Vocalyst (Bethany Hickman), for instance, are trained singers or singers in training who regularly break down the vocal performances of popular songs on YouTube. Another of the subgenres of YouTube “reaction" videos are those of classical musicians and classical composers who, like their vocal performance “reaction" video colleagues analyse popular music videos and performance for fun (or so one hopes) and profit. This group includes “reactors" like Doug Helvering and Virgin Rock.
Sometimes these social media “experts” tell us why they are “experts” in the field of music analysis. In every reaction video Maggie Renee does on YouTube, for instance, she makes sure to tell viewers, some of whom vote via polls on Patreon as to what piece of pop music Maggie Renee will react to next, that she is a Juilliard trained opera singer and this training at one of the elite music schools in the United States, along with her opera performances in less well known regional opera companies, something noted on her personal website, makes her an “expert" in the field of vocal performance. In her welcoming video to her YouTube page Elizabeth Zharoff, The Charismatic Voice, says she has degrees in voice, opera, and music production, According to Wikipedia Zharoff graduated from Oberlin and Curtis (also see her recent “My Story and Where We Go From Here” YouTube video where she recounts her burgeoning interest in pop music and shills for funding for her research). In her welcoming video to her Virgin Rock YouTube page Amy Shafer, LSRM, FRSM, and RYC, tells us that she is a trained harpist, pianist and teacher, and director of piano studies, and assistant director of harp studies at the Harp School, Inc. On rare occasions these “experts” tell viewers that they still have a lot to learn about both classical and popular music. Capili for instance, notes that she is a young Gen Z opera singer in training and, as a consequence, still has much to learn about the ins and outs of musical and vocal performances, something rare and refreshing in the social media world as far as I can tell from two years of ethnographic study of the medium.
Many of these reactors also use their YouTube pages to promote themselves and their careers. Virgin Rock, for instance, on her YouTube welcome page, offers viewers the opportunity to study one on one with her. The Charismatic Voice posts videos asking for monies to support vocal research (“The Most Important Video You Will Ever Watch”). Beth Roars’s "Symphony of 131 Nations” shows her performing this symphony with others presumably representing the 131 nations referenced in the title of the piece.
What is remarkable about several of these trained experts in music performance and composition, from whom one can indeed learn much about vocal performance, music performance, and music theory, is that so many of them appear to do little research on the music and the musicians they are “reacting” to and “analysing” and several of them seem to have little sense of popular music history. Interestingly, they also tend to ignore issues of technological manipulation including pitch correction and live not live “musical” performances, both of which are quite common in the world of pop music today, making one wonder whether this lack is a product of the fact that they don’t want to offend their revenue generating audience, most of whom, I suspect, are fan boys and fan girls rather than dispassionate analysts, with the truth (see Zharoff’s "My Story and Where We Go From Here" video retrospective on YouTube). I was recently reminded of this lack of historical knowledge and attention to historical context when I watched Shafer’s reaction to the 2001 System of a Down song “Chop Suey”
Shafer admits during the course of her reaction video to “Chop Suey" that she was confused by the song’s lyrical content. She gets the dynamic alterations in the song and comments on its alternation between its more folkish and calmer moments and its moments of speed and intensity. In the video Shafer mistakenly assumes that the song is parodic and humorous, a mistake that could have been avoided if she had actually done a bit of research on the band and the song before jumping off of a contextless hermetic interpretive cliff (the music studies variant of literary studies', film studies', and television studies' crystal ball textualism). Research could have revealed to Virgin Rock that System of a Down have been deeply influenced by Armenian folk musics, so she could have added heft to her been more general the statement that the calmer moments in the song have a folk like quality. Research might also have enabled her to grasp the biblical references ("Father into your hands I commend my spirit”, Luke 23:46) in the song, something that points up the fact that so many today no longer get a well-rounded humanities classical education which might enable them to grasp historical references including those from the Christian Bible. Additionally, research might also have enabled Shafer to understand that the title of the song was System of a Down’s response to real or perceived record company resistance to the original title of the song, "Suicide" according to one of the members of the band, or “Self-Righteous Suicide”, according to the producer of the record. “Suey”, (which band member Serj Tankian is seen presumably eating in the official video), one of the band members said, is suicide chopped in half. Knowing all of this might have helped Shafer understand the serious intent of the song and to better grasp the serious nature of the song’s dynamics. And it is so easy to do in the brave new world of digital media like the internet.